I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.
In this finalist for the 2021 Killer Nashville Silver Falchion Award, Murder, Forgotten is the story of a bestselling mystery novelist who is hiding a secret from the world. Julianna Burke is losing her memory, and with it, her powerful gift for storytelling.
When her beloved husband is murdered in their beach house, Julianna’s grief is mixed with panic: Is her confusion hiding knowledge about the crime?
I recommend this book often, but many of my friends are reluctant to read it because it’s about a school shooting. I understand their reluctance, but I urge them to get past it. It is perhaps the most stunning and powerful book I’ve ever read and raises thorny questions of nature vs. nurture. And the ending! Let me just say it hit me like a body blow. I was forced to go back and see how Ms. Shriver had constructed a plot that confounded me so completely. (Don’t try to get away with watching the movie. It is incomprehensible.)
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
Again, here’s a book that raises important questions about parents and children and how far the former will go to save the latter. Young Jacob is accused of killing a schoolmate. Surely, with his upstanding parents and privileged upbringing, he couldn’t have done it. Or could he? (I watched the well-done TV series but it changed the harrowing twist at the end. I can’t imagine why.)
If your son was on trial for murder, what would you do?
Andy Barber's job is to put killers behind bars. And when a boy from his son Jacob's school is found stabbed to death, Andy is doubly determined to find and prosecute the perpetrator.
Until a crucial piece of evidence turns up linking Jacob to the murder. And suddenly Andy and his wife find their son accused of being a cold-blooded killer.
In the face of every parent's worst nightmare, they will do anything to defend their child. Because, deep down, they know him better than anyone.
Southern writer Joshilyn Jackson is one of my all-time favorites, with her unerring sense of place. In her last few books, she has turned to mystery plots. The results are mysteries of high literary quality. In The Almost Sisters, unflinching questions about race and privilege reside next to questions of guilt and innocence. I was close to the end before I picked up on a twist she’d embedded.
With empathy, grace, humor, and piercing insight, the author of gods in Alabama pens a powerful, emotionally resonant novel of the South that confronts the truth about privilege, family, and the distinctions between perception and reality---the stories we tell ourselves about our origins and who we really are.
Superheroes have always been Leia Birch Briggs’ weakness. One tequila-soaked night at a comics convention, the usually level-headed graphic novelist is swept off her barstool by a handsome and anonymous Batman.
It turns out the caped crusader has left her with more than just a nice, fuzzy memory. She’s having a baby…
I don’t know if I’d feel as surprised if I read this book today for the first time. But when I encountered it decades ago, I was gobsmacked when the murderer was revealed. This is an unusual Agatha Christie mystery, set in ancient Egypt and inspired by her husband’s archeological digs. In my view, Christie can’t be topped. She’s also the one who introduced me to the unreliable narrator with her fabulous Murder of Roger Ackroyd.
A novel of anger, jealousy, betrayal and murder in 2000 BC
It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.
As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle…
I know this book has taken some criticism but I love everything about it – from the jiggling letters on the cover to the alcoholic narrator. The way it unfolds so methodically, so inexorably, is a treasure. Surprises are sprinkled throughout the narrative, as well as in the blockbuster finale. And who isn’t intrigued by the idea of a voyeur peering into our lives, from a moving train no less?
The #1 New York Times bestseller, USA Today Book of the Year and now a major motion picture starring Emily Blunt.
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes and stops at the signal that allows her to daily watch the same couple having breakfast on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, I am uniquely qualified to uncover the policies and practices of adoption.
The history of adoption, reframed through the voices of adoptees like me, and mothers who have been forced to relinquish their babies, blows apart old narratives about adoption, exposing the fallacy that adoption is always good.
In this story, I reckon with the pain and unanswered questions of my own experience and explore broader issues surrounding adoption in the United States, including changing legal policies, sterilization, and compulsory relinquishment programs, forced assimilation of babies of color and Indigenous babies adopted into white families, and other liabilities affecting women, mothers, and children. Now is the moment we must all hear these stories.
Who Is a Worthy Mother?: An Intimate History of Adoption
Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington's timely-and deeply researched-account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.…
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